Qi Gong Scott Baker Chi Kung in Wing Chun Kung Fu (2)

Podstrony

[ Pobierz całość w formacie PDF ]
.The motions andEven within the Wing Chun familyexercises are characteristically Wing Chunthere are differences between sword forms,in appearance.The principles and strategiesand there seems to have developed twoof combat taught in the knife set are alsoslightly different sword designs.BothCopyright  Scott Baker 200083designs have far more in common than theyMany practice for years before theydo differences.However, the specific designcan successfully manifest this skill with thedifference is seen in the width of the bladeshort swords.The benefit of this skill is thatjust before it curves up to make the point.when it is practiced and done correctly thereOne design of swords has a parallel widthis great power generated in the cuttingfrom the handle up to where the edge curvesmotions of the blades.With the vibratoryup to the point.In the other design the widthenergy in the blades a slash from one of thegets thicker so that the blade is widest justswords will be devastatingly powerful.Abefore it curves up to the point.This is askilled practitioner can slice deep into hisminor difference, but it is significant whentarget with a seemingly short effortlessyou are learning to express chi within themotion.Much like the deceptive shortswords.With the wider blade it is easier topunch; a seemingly insignificant gestureoutwardly manifest the chi.It has morewith the sword can carry some impressiveweight towards the tip and the energy willcutting power.It is not unlikely that a skilledcause a resonance within the blade that canpractitioner could easily slice through abe heard audibly.Hence, it is sometimeslimb, dividing both flesh and bone usingsaid that the skilled practitioner can makethese energetic skills with the swords.the swords sing.In addition to this Chi-kung skill theWith the narrower bladed swordssword form teaches the disciple to usethis sound is less obvious.In fact, often thesignificant energy skills in the advancedvibration will be present but the tone is at afootwork of the sword form.He must learnpitch that is beyond human hearing.TheBui Ma or shooting stance skills.Thiswider blades make a deeper vibration withrequires him to be able to shoot his chi fromthe energy and therefore, can be heard.Alsohis feet as he steps with great accelerationthe extra weight makes it somewhat easier toand agility.All of these skills addgenerate this vibratory expression of energysignificantly to the practitioners overallat the beginning stages.Other than thisskills.The refined ability to presence energydistinction the energy skills can beinto the dummy and the weapons enhancesexpressed in either sword design, but arethe skillful practitioner’s ability to extendless obvious with the narrower bladedhis chi and influence others from a distance.swords.The skill required to be able topresence the chi into the blades is advanced.The short metal blades of the swords aremuch more difficult to feel the chi into thanthe long hardwood pole.It requires a deeperreleasing skill to generate this energeticvibration.Essentially the student learns torelease energy from the hands and fingers inthe Bui Tze boxing form.Then practices todeepen that skill with the dummy and thepole.Then the final challenge is to furtherrefine this vibratory chi release to be able topresence it into the short blades of theswords.Copyright  Scott Baker 200084spread around about these skills that it isoften dismissed outright as myth.Much ofWARNINGwhat is talked about regarding Dim MakIt should be stressed here thatskills is phony.In fact most people whopracticing the Dim Mak skills uponseem to be claiming these skills knownothing about them and are feeding theiranother person is dangerous, andown egos with their own propaganda.Thisshould not be done without anfact has given Dim Mak a tarnishedinstructor experienced in Dim Makreputation as being all fable and hype withsupervising the practice.Anno substance.This is partially intentional onaccumulative effect can easily buildthe part of those who do know about theseup during practice that may resultskills, and it is in part unfortunate.Oftenthese skills were only taught to a very selectin serious injury or death.few who had proven to their Si-Fu that theyhave the right nature and character.Anciently among the JapaneseChapter 9systems there was an unwritten tradition thatWing Chun and Dim Makyou would only teach these skills to studentsafter they had reached the age of 55.Withinsome of the Chinese systems it was only tobe taught once a student was even older.Themythical stigma around Dim Mak gave theteacher the ability to dismiss it as a goodstory if he didn’t want to teach a particularstudent, or if that student inquired about itbefore he was ready.These skills wereextremely closed door, and kept among theelite few of any particular style.Wing Chuntraditionally has been much the same in itssecretiveness regarding these highest levelskills [ Pobierz całość w formacie PDF ]

zanotowane.pl

doc.pisz.pl

pdf.pisz.pl

bezglutenowo.pev.pl